Vivaldi: Concerto in B minor for Four Violins, Strings, and Continuo, Op. 3, No. 10, RV 580
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Recorded live in Alice Tully Hall on December 6, 2022.
Video produced by Ibis Productions.
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Bella Hristova
Chad Hoopes
Ani Kavafian
James Thompson
Arnaud Sussmann
Yura Lee
Dmitri Atapine
Anthony Manzo
Paolo Bordignon
Acclaimed for her passionate, powerful performances, beautiful sound, and compelling command of her instrument, violinist Bella Hristova has performed extensively as a soloist with orchestras including the Charlotte, Milwaukee, and Kansas City symphonies as well as orchestras in Asia, Europe, Latin America, and New Zealand. Highlights of the 2023–24 season include performances of Wynton Marsalis’s Violin Concerto with the Charleston Symphony and Eugene Philharmonic, Prokofiev’s Second Concerto with the New York Youth Symphony at Carnegie Hall, and the Barber Concerto with the Orlando Philharmonic. Hristova was the featured soloist for a concerto commissioned by a consortium of eight major orchestras and written for her by her husband, acclaimed composer David Serkin Ludwig, which she continues to perform. A sought-after chamber musician at festivals, she has performed at Australia’s Musica Viva, Music@Menlo, Chamber Music Northwest, and Marlboro Music. Following multiple tours of New Zealand with renowned pianist Michael Houstoun, she and Houstoun recorded the complete Beethoven Sonatas for Piano and Violin, and more recently the Brahms Sonatas, both released on Rattle. She received a 2013 Avery Fisher Career Grant and first prizes in the Michael Hill International Violin Competition and the Young Concert Artists International Auditions, and is a Laureate of the International Violin Competition of Indianapolis. Hristova attended the Curtis Institute of Music, where she worked with Ida Kavafian, and received her artist diploma with Jaime Laredo at Indiana University. She is an alum of CMS’s Bowers Program and plays a 1655 Nicolò Amati violin.
American violinist Chad Hoopes is a consistent and versatile performer with the world’s leading orchestras, including the Philadelphia Orchestra, l’Orchestre de Paris, l’Orchestre National du Capitole de Toulouse, Orpheus Chamber Orchestra, the Konzerthausorchester Berlin, and the Minnesota and National Arts Centre orchestras, as well the San Francisco, Pittsburgh, Houston, and National symphonies. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center. He has been a guest of the Moritzburg Festival, Rheingau Musik Festival, and Aspen Music Festival, and has been featured on recordings including the recent Moritzburg Festival Dvořák album with cellist Jan Vogler, released by Sony Classical, and with the MDR Leipzig and conductor Kristjan Järvi performing the Mendelssohn Violin Concerto on the Naïve label. He has performed in recital at the Ravinia Festival, the Tonhalle Zürich, and the Louvre, as well as on Lincoln Center’s Great Performers series. He is a 2017 recipient of Lincoln Center’s Avery Fisher Career Grant and appeared as the cover feature on the November 2021 edition of The Strad. Hoopes attended the Cleveland Institute of Music before studying with Ana Chumachenco at the Kronberg Academy. He plays the 1991 Samuel Zygmuntowicz, ex Isaac Stern violin.
Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continued her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals, including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin.
Violinist James Thompson enjoys a multifaceted career as a chamber musician, soloist, educator, and lecturer. He is currently on faculty at Music@Menlo and has been a member of CMS’s Bowers Program since 2021. He has performed for prestigious chamber music organizations across the country, including the Chamber Music Society of Lincoln Center, Music@Menlo, the Four Arts Society, Parlance Chamber Concerts, the Perlman Music Program, and the Taos School of Music. Solo engagements include appearances with the Cleveland Orchestra, the Cleveland Institute of Music Orchestra, the Cleveland Pops Orchestra, and the Blue Water Chamber Orchestra. He was invited to perform in Budapest as part of the First Bartók World Competition and in Sendai for the Seventh Sendai International Violin Competition. Recently, his abilities as a presenter have earned him invitations to speak at a variety of established concert series. His multimedia live interview with the Kalichstein-Laredo-Robinson Trio, hosted by CMS, was a highlight of his 2021–22 season. Alongside his career on stage, he is forming a strong reputation as a private instructor and chamber music coach, and has recently served as a teaching fellow at both the Encore Chamber Music Festival and the Western Reserve Chamber Music Festival. Thompson holds bachelor’s, master’s, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo, William Preucil, and Paul Kantor.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.” A thrilling musician capturing the attention of classical critics and audiences around the world, he has recently appeared as a soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum in Israel, London’s Wigmore Hall, Lincoln Center’s Alice Tully Hall, the Dresden Music Festival in Germany, and the Phillips Collection in Washington, DC. He has been presented in recital in Omaha on the Tuesday Musical Club series, in New Orleans by the Friends of Music, and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. He has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenasi, Wu Han, David Finckel, and Jan Vogler. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, Sussmann was named Founding Artistic Director of the Boscobel Chamber Music Festival.
Violinist/violist Yura Lee is a multifaceted musician, as a soloist and as a chamber musician, and one of the very few that is equally virtuosic on both violin and viola. She has performed with major orchestras including those of New York, Chicago, Baltimore, Cleveland, San Francisco, and Los Angeles. She has given recitals in London’s Wigmore Hall, Vienna’s Musikverein, Salzburg’s Mozarteum, the Palais des Beaux-Arts in Brussels, and the Concertgebouw in Amsterdam. At age 12, she became the youngest artist ever to receive the Debut Artist of the Year prize at the Performance Today awards given by National Public Radio. She is the recipient of a 2007 Avery Fisher Career Grant and the first prize winner of the 2013 ARD Competition. She has received numerous other international prizes, including top prizes in the Mozart, Indianapolis, Hannover, Kreisler, Bashmet, and Paganini competitions. Her CD Mozart in Paris, with Reinhard Goebel and the Bayerische Kammerphilharmonie, received the prestigious Diapason d’Or Award. As a chamber musician, she regularly takes part in the festivals of Seattle, Marlboro, Salzburg, Verbier, and Caramoor. Her main teachers included Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. An alum of CMS's Bowers Program, Lee is on the faculty at the USC Thornton School of Music in Los Angeles. She lives in Los Angeles with her dog Nugget.
Dmitri Atapine has been described as a cellist with “brilliant technical chops” (Gramophone), whose playing is “highly impressive throughout” (The Strad). He has appeared on some of the world's foremost stages. An avid chamber musician, he frequently performs with the Chamber Music Society of Lincoln Center and is an alum of The Bowers Program. He is a frequent guest at leading festivals, including Music@Menlo, La Musica Sarasota, Pacific, Aldeburgh, Aix-en-Provence, and Nevada. His performances have been broadcast nationally in the US, Europe, and Asia. His many awards include first prize at the Carlos Prieto Cello Competition, as well as top honors at the Premio Vittorio Gui and Plowman chamber competitions. He has collaborated with such distinguished musicians as Cho-Liang Lin, Paul Neubauer, Ani and Ida Kavafian, Wu Han, Bruno Giuranna, David Finckel, David Shifrin, and the Emerson Quartet. His many recordings include a critically acclaimed world premiere of Lowell Liebermann’s complete works for cello and piano. He holds a doctorate from the Yale School of Music, where he was a student of Aldo Parisot. Atapine is Professor of Cello at the University of Nevada, Reno, and is Artistic Co-Director of the Friends of Chamber Music Kansas City, Apex Concerts (Reno, Nevada), and the Ribadesella Chamber Music Festival (Spain), as well as the Co-Director of the Young Performers Program at Music@Menlo Chamber Music Institute (California).
Anthony Manzo’s vibrantly interactive and highly communicative music-making has made him a ubiquitous figure in the upper echelons of classical music, performing at noted venues including Lincoln Center, Boston’s Symphony Hall, and the Spoleto Festival in Charleston. He appears regularly with the Chamber Music Society, both in New York and across the country. He serves as the solo bassist of San Francisco’s New Century Chamber Orchestra and as a guest with the Orpheus Chamber Orchestra and A Far Cry. He is a regular guest with the National Symphony Orchestra, the Smithsonian Chamber Society, and the Baltimore Symphony when he happens to be near his home in Washington, DC. Formerly the solo bassist of the Munich Chamber Orchestra in Germany, he has also been guest principal with Camerata Salzburg in Austria, where collaborations have included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff, performing Mozart’s “Per questa bella mano.” He is an active performer on period instruments, with groups including the Handel & Haydn Society of Boston (where his playing was lauded as “endowed with beautiful and unexpected plaintiveness” by the Boston Musical Intelligencer), Philharmonia Baroque in San Francisco, and Opera Lafayette in Washington, DC. He is on the double bass and chamber music faculty of the University of Maryland. Manzo performs on a double bass made around 1890 by Jérôme Thibouville-Lamy in Paris (which now has a removable neck for travel!).
Paolo Bordignon is harpsichordist of the New York Philharmonic and organist and choirmaster of St. Bartholomew’s Church, Park Avenue. 2022–23 appearances include concertos with the Philadelphia Orchestra and the American Symphony Orchestra, and performances with Camerata Pacifica, Santa Fe Chamber Music Festival, the Chamber Music Society of Lincoln Center, Orpheus Chamber Orchestra, Mark Morris Dance Company, and The Knights. He has recently performed with the MET Orchestra Musicians, Boston Symphony Chamber Players, St. Paul Chamber Orchestra, All-Star Orchestra, English Chamber Orchestra, and ECCO. He has appeared on NBC, CBS, PBS Great Performances, CNN, NPR (including Pipedreams and Performance Today), the CBC, and on Korean and Japanese national television. He has also appeared in solo performance for New York Fashion Week. Born in Toronto of Italian heritage, Bordignon attended St. Michael’s Cathedral Choir School before attending the Curtis Institute of Music in Philadelphia. He is an Associate of the Royal Conservatory of Music and a Fellow of the Royal Canadian College of Organists, and he earned master’s and doctoral degrees from the Juilliard School.